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We alone know what is coming for us, and we know it’s going to hurt: Reviewing One Yellow Eye by Leigh Radford

Happy Hallow’s Eve, everyone! I was hoping to get one last review out before Halloween and I somehow managed it! I hope you are already for one last seasonally appropriate book review. Happy Halloween if you celebrate. Let’s talk about One Yellow Eye.

Content Warning: Violence, Disturbing Imagery, Body Horror, Some Strong Language, Grief and Mourning, Animal Death, Alcholism

The zombie apocalypse came and went, leaving London ravaged in its wake. Many of the survivors are going everything they can to move forward with their lives. Kesta Shelley, though, can’t move on. Her beloved husband Tim was tragically infected by the virus. She couldn’t bring herself to let him go, so she hid him away in their flat. As an accomplished biologist, Kesta is confident that she can find a way to cure him one day. When she finally gets the breakthrough she’s been waiting for, Kesta races against time to create a cure for Tim. The government, though, is cracking down on the project after discovering evidence of internal sabotage. Kesta is falling apart, physically and emotionally. All she hopes is that, in saving Tim, she can save the world…and herself.

It’s been awhile since I read or watched anything that had to do with zombies. I was excited when I saw this title and immediately realized that this was going to be a Frankenstein retelling involving zombies. One Yellow Eye is a noteworthy narrative that is less focused on zombies, and more focused on a story of undying love. Leigh Radford injects sympathy and tension throughout the prose. There are so many visceral moments that really put the reader in the shoes of the character. Kesta Shelley is an endlessly complicated character who makes for a perfect lead in a story that is hinges on the complexities of human nature, both biological and psychological. Radford’s zombie apocalypse is atypical in the genre, but it works for the world of the book. It doesn’t rely heavily on classic zombie tropes, which is kind a breath of fresh air in the genre. That being said, there is still enough gore and brutality to satisfy the zombie narrative. Overall, I truly enjoyed One Yellow Eye and give it a very high recommendation.

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Control was antithetical to life. To be alive is to be battered about. To endure and adapt and keep stumbling onward despite it all: Reviewing Diavola by Jennifer Thorne

Hi everyone! I hope you are still enjoying October. I might have one more horror novel review for this month, so stay tuned for that. I don’t have much else to say, so let’s just hop into it. It’s time to talk about Diavola by Jennifer Thorne.

Content Warning: Disturbing Imagery, Violence and Gore, Animal Death, Self-Harm, Sexual Content, Strong Language, Discussions of Abortion, Child Death

Anna Pace has one goal: to survive her family vacation. She’s sure she can make do in the sunny Italian countryside. Between her sister’s neurotic behavior, her brother’s new boyfriend, and her overbearing parents, Anna finds herself lost in the typical family chaos. The villa seems like the perfect place to unwind and forget about the past. Unfortunately for Anna, the villa holds many dark secrets. She begins to lose time, hear strange noises, and see glimpses of the souls who remain in the idyllic little home. Anna finds herself consumed by the villa’s dark past, and her own past, too.

Diavola was equal parts darkly humorous, macabre, and messy in all of the best ways. I thought the overall premise was pretty different from any other haunted house and/ or (spoiler) possession stories I have read in the past. Thorne creates perfectly imperfect characters who are just realistic enough to exist in the real world, but are also perfectly suited for a horror novel like this. This book was certainly a breath of fresh air, as there was just enough to make it stand out, while still embracing the fun tropes that come with ghost stories. What I personally like about Diavola is that it could easily be considered “messy girl literature.” With all of that being said, I truly enjoyed Diavola and encourage you to experience this book for yourself.

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I don’t fear death…but they do: Reviewing The Haar by David Sodergren

Hi everyone! I’m back with another spooky book review. I have at least one more to read for October, and then it’s back to the other series I have started. I hope you all have been enjoying these so far. It’s been a pretty good year for reading, in general, for me. Hopefully, I have a couple more good reviews for this blog. Before we get to those, though, we must talk about The Haar.

Content Warning: Violence and Gore, Self-Harm, Disturbing Imagery, Graphic Violence, Strong Language

Mrs. Muriel Margaret McAuley has lived her entire life in the sleepy town of Witchhaven in Scotland. She is content with her quiet life, even though she misses her dear and departed husband. Her peaceful existence is threatened by an American billionaire who intends to tear down the town and build a golf course. Muriel stubbornly refuses to leave her home, but mysterious deaths and large sums of money are making it difficult for her to remain. Just when Muriel considers giving up, a mysterious fog known as the haar engulfs the land. Along with this fog comes a creature that may be Muriel’s one hope at a serene life. She will have to come to terms with the bloody price she will have to pay.

David Sodergren has been on my radar for a minute now, and I am so glad that I finally read one of his books. The Haar was such a fun little gore-fest with a surprising amount of heart. I went into this novel expecting something like a splatterpunk book, but it was a bit more than that. It was a book about grief and acceptance. There was a surprising romance in the novel, albeit a twisted and bloody one. That being said, the descriptions in the book did turn my stomach a bit. You’ve been warned if you’re on the squeamish side. The violence, though, didn’t take away from tender moments. I found Muriel to be a well-written protagonist who was easy to sympathize with. Even with everything that happens, I found myself hoping for the best for her. There is a level of ambiguity that, I think, is necessary for most horror novels, and Sodergren does a great job incorporating that uneasiness through the narrative. I am going to recommend The Haar immediately and will be picking up another Sodergren novel sooner than later.

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Without faith, there is no refuge: Reviewing The Unworthy by Agustina Bazterrica, translated by Sarah Moses

Hey everyone! I hope your October is going well. As I write this, the temperature has dropped, and all of the Halloween decorations are up. I think it’s time for another creepy book review. If you would like to, you can check out my review for Tender is the Flesh, also by Agustina Bazterrica. It’s time, though, to talk about The Unworthy.

Content Warning: Violence and Gore, Sexual Assault, Disturbing Imagery, Animal Death, Religious Trauma, Psychosis

The world has ended. Sea levels rose, fires burned, and the population was all but wiped out by their own doing. The survivors grouped together to find some sort of salvation. One particular survivor joined a cult called the Sacred Sisterhood. Deemed one of the unworthy, she goes by unseen during the day but hopes that she might become one of the Enlightened. At night, she secretly writes her story in the hopes that someone will read it. One day, an enigmatic and charming woman named Lucia arrives, and the survivor is inexplicably drawn to her. As she develops a relationship with Lucia, the survivor reconsiders her past and realizes that she can no longer ignore the danger that lies within the Sacred Sisterhood.

Agustina Bazterrica is nothing if not intense, morbid, and profound in her writings. Much like Tender is the Flesh, The Unworthy is a speculative tale of a ruined world and desperate people. Unlike Tender is the Flesh, this novel is a bit more abstract in its prose. Bazterrica’s choice to have the nameless survivor as the narrator makes it all the more immersive. What drew me to the novel was Bazterrica’s use of religious imagery juxtaposed with stark images of a world ruined by humanity. With that being said, I can’t say I liked this more than Tender is the Flesh. The prose was a little too choppy, and there wasn’t enough “showing” for me. Just when I thought I was going to see something shocking or exciting, the novel would jump to something else. There was so much lore in this book, and it was packed very tightly into 175 pages. I would have loved a full novel of this book. With all of that being said, you may consider this my soft recommendation if you want something disturbing and atmospheric.

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When things felt right, it only meant there was so much more that could go wrong: Reviewing We Used to Live Here by Marcus Kliewer

Hi everyone! I hope you are all doing well. Life has happened. Things have changed. This blog remains. That’s my quick summary of how events have unfolded for me recently. I’m doing fine and have a lot to look forward to, but transitions are rarely easy. Thankfully, I have books as my steadfast coping mechanism. There are plenty of spooky books to read this October. It’s time the newest addition, We Used to Live Here.

Content Warning: Violence, Some Gore, Disturbing Imagery, Some Strong Language

Eve and her girlfriend Charlie bought an old house to renovate and resell. Eve finds the old house unsettling, but reminds herself that this is only temporary. One night, when Eve is alone in the house, she finds her dealing with some unexpected guests. A man who claims to have once lived in the house wants to give his family a tour. Despite her worry, Eve decides it wouldn’t be so bad to let this man take a trip down memory lane. Once the family sets foot in the house, everything goes wrong. The youngest child goes missing. The layout of the house changes. A ghostly figure appears. Terrified, Eve tries to get the family to leave the house but they don’t seem to want to leave. Worst of all, Charlie goes missing. Eve fears that she is going insane as her reality begins to change and the house won’t let her go.

We Used to Live Here is such an interesting take on the classic “the house is wrong” trope. It’s part liminal space horror, part supernatural horror, and part internet mystery all wrapped up in a dynamic narrative. Marcus Kliewer does a great job toying with ambiguity throughout this novel. That, to me, is what makes a story truly scary, or unsettling, at least. There is just enough in the material to give you a good idea of what’s happening, but there is not enough to give you any certaintly as to what is actually happening. There’s also these random little mysteries planted throughout the book, like Morse code lines, that make it all the more intriguing. It combines a lot of the things I like about online “creepypastas” without being obnoxious or heavy handed. It’s safe to say that I truly enjoyed We Used to Live Here and think you should add it to your TBR pile ASAP.

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I am no garden, but the woods, and if you ever come near me again, every bit of wildness in me will rise up to bite you: Reviewing Grey Dog by Elliot Gish

Hi everyone! Happy October! We are officially in spooky season! I wanted to kick it off with something interesting. There will be plenty of horror reviews coming up soon. I hope you are all excited! Let’s talk about Grey Dog.

Content Warning: Violence, Gore and Mutilation, Sexual Content, Sexual Assault, Miscarriage and Stillbirth, Child Death, Animal Death, Psychosis, Domestic Violence, Child Abuse, Discussions and Depictions of Misogyny

1901. Ada Byrd accepts a position as a school teacher in the tiny, rural town of Lowry Bridge. Eager for a fresh start, Ada quickly integrates herself into the town. She develops friendships, teaches her students about nature, and begins to feel confident in herself. Lowry Bridge, though, is not what it seems. Ada begins to experience strange things. She hears a disembodied voice. She sees animals mutilate themselves. Ada begins to believe that a mysterious entity, called the grey dog, is the one causing these disturbing things. Ada fears she is slowly unraveling after doing everything she can to hold herself together. One’s true nature, though, can only be hidden for so long.

Grey Dog is a slow-paced, atmospheric tale of oppression, madness, and the power of nature. Gish does a wonderful job building tension and creating uncertainty throughout the novel, which is told through Ada Byrd’s diary. She captures the spirit of rural Gothic horror with unabashed, gory detail. There is an underlying commentary, though, about the oppression experienced by women and the extreme lengths we have to go through to “unlearn” society’s standards. With that being said, it is also a bit of a cautionary tale against losing oneself completely. Grey Dog is ambiguous enough to allow the reader’s imagination to run wild, without avoiding the grotesque and macabre. This book would be the perfect way for you to kick off spooky season. I would hate for Grey Dog to go unrecognized so I implore you to read this novel as soon as possible.