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All we can do is honour the lessons this brings, look honestly upon who we were and what we have done, and try to do better when the next sun rises: Reviewing House of Odysseus (Book 2 of the Songs of Penelope Trilogy) by Claire North

Hi everyone and happy holidays! With the hustle and bustle of everything, I haven’t been able to do much reading. I may be able to post one more book review before my annual favorites of the year post. It all just depends on my mood. Before you read this review, I encourage you to read Ithaca, the first book in this series. Now, let’s talk about House of Odysseus.

Content Warning: Violence, Strong Language, Spousal Abuse, Discussions of Sexual Assault, Discussions and Depictions of Misogyny

Penelope, the queen of the Ithaca, struggles to maintain her power over the suitors that continue to ravage her home. With little hope of her husband’s return, Penelope relies on her wit and cunning to keep her place on the throne. Her troubles, though, had only worsened when Elektra and Orestes turned up on her shores. Orestes is mad with guilt over the murder of his mother Clytemnestra, and Elektra isgrieving her father Agamemnon and desperate to put her brother on the throne. Everything is thrown into further disarry when Menelaus, brother of Agamemnon and king of Sparta, comes to Ithaca in search of his murderous niece and nephew. Helen, the woman who broke the world, is also here to annoy Penelope. With Ithaca thrown into turmoil, Penelope must fight for her rightful place with the help of some unlikely allies. The queen’s plight, though, has caught the eye of the goddess of love herself, Aphrodite, who may give her a fighting chance.

Claire North continues to impress me with her ability to inhabit all of these characters and breathe life into them in a way that very few adapatations have in the past. This novel is part murder mystery, part family drama, and part re-telling. Its dynamic nature is what made it just as enjoyable as its predecessor. What I particularly appreciated about the novel was having Aphrodite as the narrator. Not to be a mythology nerd, but I always for Aphrodite to be one of the more underrated deities in the Greek pantheon. Her commentary about love and desire ties into the themes from the first book about women’s struggles in such a seemless way. Claire North does a fantastic job creating unique character voices that feel so rooted in reality in a strange way. With all of that being said, I am so excited to read the third book in this trilogy and I think that you should check this one out too.

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I rip out his tongue to stop the lies. I stab out his eyes to hide from his gaze. You will be free: Reviewing Shadows of Self (Book 5 of the Mistborn Saga) by Brandon Sanderson

Hi everyone! Happy belated Thanksgiving to my fellow Americans. I promise I wasn’t intentionally avoiding reading or writing in this blog. You all know how it is. Life happens. Stuff gets in the way. Motivation is lost. I’m back, though, and have plenty more reviews for you before the end of the year. I just picked a lot of long books to read, which is part of the reason why I have been slow to post. That, however, is the past. It’s time to revisit the Mistborn Saga once more. Let’s talk about Shadows of Self.

Content Warning: Violence, Some Disturbing Imagery

Waxillium “Wax” Ladrian is forced to give up his life as a lawman in the Roughs after forsaking his responsibilities as the lord of his house for too long. He hardly imagined that life in the city would be exciting, but an assassination attempt on a prominent governor proves Wax wrong. Soon, the city of Elendel is thrust into turmoil as riots break out among the workers, and churches are attacked. The culprit? An ancient being who may be sent by God himself. It’s up to Wax, Wayne, and their recently befriended constable Marasi to figure out what’s happening before the city of Elendel is destroyed by its own people.

Brandon Sanderson surprises me with every single book I read. Just as I think I’m hitting a lull or thinking that the plot is predictable, Sanderson provides me with literary whiplash. I say all this with love. As someone who is a fan of action and adventure, the Mistborn Saga continuously delivers with all of the best elements of a genre that is usually hard to encapsulate. Shadows of Self stands out because of how it connects back to the original Mistborn trilogy. Sanderson isn’t afraid to question his own texts and the motives of his characters. Most authors wouldn’t want to deconstruct their worlds or let their characters look too imperfect, but Sanderson isn’t afraid to change the rules without completely demolishing everything he created. It feels like a natural progression in the story. This particular entry in the saga was more like a mystery, but that is what I ended up enjoying about Shadows of Self. In case you couldn’t tell, I have been really enjoying this series, and I am going to continue to recommend it to all of you.

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We alone know what is coming for us, and we know it’s going to hurt: Reviewing One Yellow Eye by Leigh Radford

Happy Hallow’s Eve, everyone! I was hoping to get one last review out before Halloween and I somehow managed it! I hope you are already for one last seasonally appropriate book review. Happy Halloween if you celebrate. Let’s talk about One Yellow Eye.

Content Warning: Violence, Disturbing Imagery, Body Horror, Some Strong Language, Grief and Mourning, Animal Death, Alcholism

The zombie apocalypse came and went, leaving London ravaged in its wake. Many of the survivors are going everything they can to move forward with their lives. Kesta Shelley, though, can’t move on. Her beloved husband Tim was tragically infected by the virus. She couldn’t bring herself to let him go, so she hid him away in their flat. As an accomplished biologist, Kesta is confident that she can find a way to cure him one day. When she finally gets the breakthrough she’s been waiting for, Kesta races against time to create a cure for Tim. The government, though, is cracking down on the project after discovering evidence of internal sabotage. Kesta is falling apart, physically and emotionally. All she hopes is that, in saving Tim, she can save the world…and herself.

It’s been awhile since I read or watched anything that had to do with zombies. I was excited when I saw this title and immediately realized that this was going to be a Frankenstein retelling involving zombies. One Yellow Eye is a noteworthy narrative that is less focused on zombies, and more focused on a story of undying love. Leigh Radford injects sympathy and tension throughout the prose. There are so many visceral moments that really put the reader in the shoes of the character. Kesta Shelley is an endlessly complicated character who makes for a perfect lead in a story that is hinges on the complexities of human nature, both biological and psychological. Radford’s zombie apocalypse is atypical in the genre, but it works for the world of the book. It doesn’t rely heavily on classic zombie tropes, which is kind a breath of fresh air in the genre. That being said, there is still enough gore and brutality to satisfy the zombie narrative. Overall, I truly enjoyed One Yellow Eye and give it a very high recommendation.

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Control was antithetical to life. To be alive is to be battered about. To endure and adapt and keep stumbling onward despite it all: Reviewing Diavola by Jennifer Thorne

Hi everyone! I hope you are still enjoying October. I might have one more horror novel review for this month, so stay tuned for that. I don’t have much else to say, so let’s just hop into it. It’s time to talk about Diavola by Jennifer Thorne.

Content Warning: Disturbing Imagery, Violence and Gore, Animal Death, Self-Harm, Sexual Content, Strong Language, Discussions of Abortion, Child Death

Anna Pace has one goal: to survive her family vacation. She’s sure she can make do in the sunny Italian countryside. Between her sister’s neurotic behavior, her brother’s new boyfriend, and her overbearing parents, Anna finds herself lost in the typical family chaos. The villa seems like the perfect place to unwind and forget about the past. Unfortunately for Anna, the villa holds many dark secrets. She begins to lose time, hear strange noises, and see glimpses of the souls who remain in the idyllic little home. Anna finds herself consumed by the villa’s dark past, and her own past, too.

Diavola was equal parts darkly humorous, macabre, and messy in all of the best ways. I thought the overall premise was pretty different from any other haunted house and/ or (spoiler) possession stories I have read in the past. Thorne creates perfectly imperfect characters who are just realistic enough to exist in the real world, but are also perfectly suited for a horror novel like this. This book was certainly a breath of fresh air, as there was just enough to make it stand out, while still embracing the fun tropes that come with ghost stories. What I personally like about Diavola is that it could easily be considered “messy girl literature.” With all of that being said, I truly enjoyed Diavola and encourage you to experience this book for yourself.

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I don’t fear death…but they do: Reviewing The Haar by David Sodergren

Hi everyone! I’m back with another spooky book review. I have at least one more to read for October, and then it’s back to the other series I have started. I hope you all have been enjoying these so far. It’s been a pretty good year for reading, in general, for me. Hopefully, I have a couple more good reviews for this blog. Before we get to those, though, we must talk about The Haar.

Content Warning: Violence and Gore, Self-Harm, Disturbing Imagery, Graphic Violence, Strong Language

Mrs. Muriel Margaret McAuley has lived her entire life in the sleepy town of Witchhaven in Scotland. She is content with her quiet life, even though she misses her dear and departed husband. Her peaceful existence is threatened by an American billionaire who intends to tear down the town and build a golf course. Muriel stubbornly refuses to leave her home, but mysterious deaths and large sums of money are making it difficult for her to remain. Just when Muriel considers giving up, a mysterious fog known as the haar engulfs the land. Along with this fog comes a creature that may be Muriel’s one hope at a serene life. She will have to come to terms with the bloody price she will have to pay.

David Sodergren has been on my radar for a minute now, and I am so glad that I finally read one of his books. The Haar was such a fun little gore-fest with a surprising amount of heart. I went into this novel expecting something like a splatterpunk book, but it was a bit more than that. It was a book about grief and acceptance. There was a surprising romance in the novel, albeit a twisted and bloody one. That being said, the descriptions in the book did turn my stomach a bit. You’ve been warned if you’re on the squeamish side. The violence, though, didn’t take away from tender moments. I found Muriel to be a well-written protagonist who was easy to sympathize with. Even with everything that happens, I found myself hoping for the best for her. There is a level of ambiguity that, I think, is necessary for most horror novels, and Sodergren does a great job incorporating that uneasiness through the narrative. I am going to recommend The Haar immediately and will be picking up another Sodergren novel sooner than later.

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Without faith, there is no refuge: Reviewing The Unworthy by Agustina Bazterrica, translated by Sarah Moses

Hey everyone! I hope your October is going well. As I write this, the temperature has dropped, and all of the Halloween decorations are up. I think it’s time for another creepy book review. If you would like to, you can check out my review for Tender is the Flesh, also by Agustina Bazterrica. It’s time, though, to talk about The Unworthy.

Content Warning: Violence and Gore, Sexual Assault, Disturbing Imagery, Animal Death, Religious Trauma, Psychosis

The world has ended. Sea levels rose, fires burned, and the population was all but wiped out by their own doing. The survivors grouped together to find some sort of salvation. One particular survivor joined a cult called the Sacred Sisterhood. Deemed one of the unworthy, she goes by unseen during the day but hopes that she might become one of the Enlightened. At night, she secretly writes her story in the hopes that someone will read it. One day, an enigmatic and charming woman named Lucia arrives, and the survivor is inexplicably drawn to her. As she develops a relationship with Lucia, the survivor reconsiders her past and realizes that she can no longer ignore the danger that lies within the Sacred Sisterhood.

Agustina Bazterrica is nothing if not intense, morbid, and profound in her writings. Much like Tender is the Flesh, The Unworthy is a speculative tale of a ruined world and desperate people. Unlike Tender is the Flesh, this novel is a bit more abstract in its prose. Bazterrica’s choice to have the nameless survivor as the narrator makes it all the more immersive. What drew me to the novel was Bazterrica’s use of religious imagery juxtaposed with stark images of a world ruined by humanity. With that being said, I can’t say I liked this more than Tender is the Flesh. The prose was a little too choppy, and there wasn’t enough “showing” for me. Just when I thought I was going to see something shocking or exciting, the novel would jump to something else. There was so much lore in this book, and it was packed very tightly into 175 pages. I would have loved a full novel of this book. With all of that being said, you may consider this my soft recommendation if you want something disturbing and atmospheric.

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When things felt right, it only meant there was so much more that could go wrong: Reviewing We Used to Live Here by Marcus Kliewer

Hi everyone! I hope you are all doing well. Life has happened. Things have changed. This blog remains. That’s my quick summary of how events have unfolded for me recently. I’m doing fine and have a lot to look forward to, but transitions are rarely easy. Thankfully, I have books as my steadfast coping mechanism. There are plenty of spooky books to read this October. It’s time the newest addition, We Used to Live Here.

Content Warning: Violence, Some Gore, Disturbing Imagery, Some Strong Language

Eve and her girlfriend Charlie bought an old house to renovate and resell. Eve finds the old house unsettling, but reminds herself that this is only temporary. One night, when Eve is alone in the house, she finds her dealing with some unexpected guests. A man who claims to have once lived in the house wants to give his family a tour. Despite her worry, Eve decides it wouldn’t be so bad to let this man take a trip down memory lane. Once the family sets foot in the house, everything goes wrong. The youngest child goes missing. The layout of the house changes. A ghostly figure appears. Terrified, Eve tries to get the family to leave the house but they don’t seem to want to leave. Worst of all, Charlie goes missing. Eve fears that she is going insane as her reality begins to change and the house won’t let her go.

We Used to Live Here is such an interesting take on the classic “the house is wrong” trope. It’s part liminal space horror, part supernatural horror, and part internet mystery all wrapped up in a dynamic narrative. Marcus Kliewer does a great job toying with ambiguity throughout this novel. That, to me, is what makes a story truly scary, or unsettling, at least. There is just enough in the material to give you a good idea of what’s happening, but there is not enough to give you any certaintly as to what is actually happening. There’s also these random little mysteries planted throughout the book, like Morse code lines, that make it all the more intriguing. It combines a lot of the things I like about online “creepypastas” without being obnoxious or heavy handed. It’s safe to say that I truly enjoyed We Used to Live Here and think you should add it to your TBR pile ASAP.

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I am no garden, but the woods, and if you ever come near me again, every bit of wildness in me will rise up to bite you: Reviewing Grey Dog by Elliot Gish

Hi everyone! Happy October! We are officially in spooky season! I wanted to kick it off with something interesting. There will be plenty of horror reviews coming up soon. I hope you are all excited! Let’s talk about Grey Dog.

Content Warning: Violence, Gore and Mutilation, Sexual Content, Sexual Assault, Miscarriage and Stillbirth, Child Death, Animal Death, Psychosis, Domestic Violence, Child Abuse, Discussions and Depictions of Misogyny

1901. Ada Byrd accepts a position as a school teacher in the tiny, rural town of Lowry Bridge. Eager for a fresh start, Ada quickly integrates herself into the town. She develops friendships, teaches her students about nature, and begins to feel confident in herself. Lowry Bridge, though, is not what it seems. Ada begins to experience strange things. She hears a disembodied voice. She sees animals mutilate themselves. Ada begins to believe that a mysterious entity, called the grey dog, is the one causing these disturbing things. Ada fears she is slowly unraveling after doing everything she can to hold herself together. One’s true nature, though, can only be hidden for so long.

Grey Dog is a slow-paced, atmospheric tale of oppression, madness, and the power of nature. Gish does a wonderful job building tension and creating uncertainty throughout the novel, which is told through Ada Byrd’s diary. She captures the spirit of rural Gothic horror with unabashed, gory detail. There is an underlying commentary, though, about the oppression experienced by women and the extreme lengths we have to go through to “unlearn” society’s standards. With that being said, it is also a bit of a cautionary tale against losing oneself completely. Grey Dog is ambiguous enough to allow the reader’s imagination to run wild, without avoiding the grotesque and macabre. This book would be the perfect way for you to kick off spooky season. I would hate for Grey Dog to go unrecognized so I implore you to read this novel as soon as possible.

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In the end, we all go west: Reviewing One’s Company by Ashley Hutson

Hey everyone! I’m back, and I have a great review for all of you! As you know now, I love surreal and experimental literature. More importantly, I love “messy girl literature.” I was overdue for some unhinged women’s literature. Let’s step into the surreal and strange world of One’s Company.

Content Warning: Violence, Some Graphic Imagery, Implied Sexual Content, Discussions of Sexual Assault, Attempted Self-Harm, Grief and Mourning, Discussions and Depictions of Severe Mental Illness and Psychosis

Bonnie Lincoln has lived a difficult life. As a child, she lost both of her parents to unexpected tragedies. As an adult, she is the victim of a violent robbery that leaves her reeling from loss and trauma. Bonnie finds solace in the hit 1970s sitcom Three’s Company. The only thing she wants is to be left alone with her quiet obsessions. When Bonnie wins the lottery, she decides to take her love of the show to the next level. With her winnings, she buys an isolated mountain retreat and transforms it into the world of Three’s Company. Bonnie’s groovy little paradise is soon disrupted by her former best friend, and she finds herself fighting against the trauma that threatens her illusion.

Full disclaimer before I begin this review: I know nothing about Three’s Company, so I cannot provide any insight or commentary on that aspect of the story. With that being said, One’s Company was dark, chaotic, and utterly unique. It’s a novel that examines the dangers of isolation and the pitfalls of nostalgia. Having Bonnie as the narrator allowed for a deeper exploration of the complications that come with grief. Ashley Hutson balances between Bonnie’s delusions and the reality of her situation. Hutson emphasizes the issues that come with avoiding dealing with trauma and how certain coping mechanisms can be dangerous, even bordering on self-harm. The narrative, though, isn’t unsympathetic towards Bonnie’s struggles. Despite the chaos that happens throughout the novel, we have a relatable protagonist who simply wants someone to care about her struggles. One’s Company was a wild ride that I didn’t want to put down for even a second. Needless to say, I think you might enjoy this one too.

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Love is a patient, exasperated emotion, and she knew it well: Reviewing Swordheart by T. Kingfisher

Hi everyone! Happy Fall! Well, it doesn’t feel like fall yet but that isn’t going to stop me from trying to participate in fall activities. I have my “spooky” book reviews coming soon and I know some of you are really looking forward to that. For now, I have some other things to talk about. This book will be my fifth review for a book by T. Kingfisher. I even have a sixth one ready to go. Feel free to check out my reviews of her other novels. Let’s talk about one of her latest: Swordheart.

Content Warning: Some Violence, Some Gore, Mild Sexual Content, Animal Death

Halla, a respectable widow, unexpectedly inherits her wealthy uncle’s estate. Unfortunately, she has to contend with her dead husband’s horrid family members who are determined to marry her off so they can have the estate. Halla decides the only sensible solution is to kill herself. The only tool she can find in her uncle’s estate that might do the trick is an ancient sword that was just laying around. When she unsheaths the sword, an immortal warrior named Sarkis appears and informs her that he is now her personal guard. Sarkis was not expecting his weilder to be a woman like Halla. He certainly wasn’t expecting to go on the run with her, fleeing from angry family members and murderous priests. As Sarkis and Hall grow closer, they must face dangers and figure out if there is a way to free him from the sword.

I’m going to be honest. I have often looked down upon “romantasy” as a genre because it always felt so formulaic and cliche. Leave it to T. Kingfisher to write a romantasy that I absolutely loved from beginning to end. The writing is earnest, humorous, and creative. I loved the world of this novel and the interesting fantasy elements. There were so many fun moments peppered throughout that made me smile. The romance, though, is the main feature of this novel and I loved every second of it. While there certainly were tropes, the novel didn’t rely on the tropes to make the romance happen. Sarkis and Halla had such great chemistry. I loved seeing them come closer together. I also loved that the relationship wasn’t perfect and they had to work through things to come together. They reminded me a lot of Wesley and Buttercup from The Princess Bride. The main reason why I liked this book is because it was very reminiscent of works like The Princess Bride. The romance was lovely, the humor was great, and I loved the world of this novel. Go read Swordheart immediately because there is going to be a sequel next year.